“Spider Boys draws us into an exotic world which becomes increasingly familiar and engaging with every page. In Ming Cher’s hands, the hybrid dialect of Singapore street youth becomes uncannily evocative and poetic. At times I was reminded of S.E. Hinton, but this is a highly original novel—gritty and tender and thoroughly fascinating.”
—Jay McInerney, author of Bright Lights, Big City and Brightness Falls, of the William Morrow 1995 edition of Spider Boys
“Haunting and sexy, Spider Boys is an astonishing book. Ming Cher’s jagged English pulls no punches. Spider Boys will remain with you long after you finish reading it.”
—Peter Hedges, author of What’s Eating Gilbert Grape, of the William Morrow 1995 edition of Spider Boys
“Impressively confident in tone, Cher’s arresting first novel details the lives of street urchins and petty criminals in the Singapore of the 1950s. [… It is] a notable debut in which Cher mines the abbreviated, hard-edged local street slang to yield prose of stunning emotional impact. The narrative moves among its characters in quick cuts, but the exposures go remarkably deep nonetheless, revealing this exotic milieu as the universal world of any child growing into adulthood.”
—Publishers Weekly
“A bare-bones, gritty, and entertaining first novel about street kids in 1955 Singapore...Although Ming's is a familiar tale of coming of age within a criminal organization, his unique setting and raw, quick pace keep the tale compelling...an interesting voice on an age-old theme.”
—Kirkus Review of the William Morrow 1995 edition of Spider Boys
“The work is innovative, challenging in many ways and a valid, if not seminal, contribution to the history of Singaporean literature in English.”
—Emma Dawson Varughese in Beyond the Postcolonial: World Englishes Literature
“The publication of Spider Boys under a major imprint comes out of a recent trend in the West to pay more attention to minority cultures...Exotic is 'in', from beauty pageants to books, and Cher's good timing has put Singapore on the world literary map.”
—Koh Buck Song, The Straits Times